ICCROM-CCI course on preventive conservation: reducing risks to collections
18 June – 6 July 2007

• Eric Benjamin ARCHER, Manager Conservation, National Museum of Australia, Canberra, Australia
• Ivan BERGER, Conservator-Methodist, Technical Museum, Methodical Centre of Conservation, Brno, Czech Republic
• Doina Emilia BOGDEA, Conservator, The Art Museum of Craiova, Craiova, Romania
• Emanuela-Eugenia CERNEA, Head of Medieval Art Department & Conservator of Medieval Painting Collection, National Museum of Art of Romania, Bucharest, Romania
• Marjolijn DEBULPAEP, Art Historian and Conservator-Restorer, Conservation Department, KIK-IRPA, Brussels, Belgium
• Mitra ETEZADI, Head of Conservation and Restoration Section, Cultural Institute of Bonyad Museums, Tehran, Islamic Republic of Iran
• Jasminka GRGUREVIĆ, Manager of Department for Protection of Works of Art in Paintings and Applied Art, Regional Institute for the Protection of Cultural Heritage, Kotor, Montenegro
• Aniko HORNICZKY, Librarian, Somogyi Library, Szeged, Hungary
• Hiltrud JEHLE, Conservator, Staatliche Museen zu Berlin, Skulpturensammlung und Museum für Byzantinische Kunst, Berlin, Germany
• Koidu LAUR, Chief Specialist of Preservation Department, The National Archives of Estonia, Tartu, Estonia
• Mirela LEAHU, Assistant Lecturer, University of Bucharest, Faculty of Orthodox Theology, Bucharest, Romania
• Yngve MAGNUSSON, Associate Lecturer, University of Applied Arts, Conservation Department, Vienna, Austria
• Zsuzsanna MARA, Conservator – Restorer, Szekler Museum of CIuc, Miercurea Ciuc, Romania
• Krisztina MARTON, Book and Paper Restorer, Teleki-Bolyai Library, Târgu-Mures, Romania
• Anna PAOLINI, Programme Specialist, UNESCO Division of Cultural Heritage, Museum Section, Paris, France
• Jane PIMLOTT, Conservation Coordinator, The British Library, Preservation Department, London, United Kingdom
• Ana Maria SARAMAGO MARQUES PEREIRA, Conservator, National Art Foundation-Funarte, Rio de Janeiro, Brazil
• Monica SIMILEANU, Assistant Researcher, National Institute of Research and Development for Optoelectronics INOE 2000, Centre for restoration by Optoelectronic Techniques, Magurele-Ilfov, Romania
• Christina SPERANTZA, Conservator, Directorate of Conservation of Antique and Modern Monuments, Hellenic Ministry of Culture, Athens, Greece
• Yahkub TIAMIYU, Senior Conservator, National Commission for Museums and Monuments of Nigeria, National Museum Lagos, Lagos state, Nigeria
• Feroza VERBERNE-KHURSHID, Head of Art Handling, Stedelijk Museum Amsterdam, Amsterdam, The Netherlands
• Jin ZHANG, Researcher, China National Institute of Cultural Property, Beijing, China

updated on: 14 September, 2009