From 9 to 23 July 2017 in Accra, Ghana
Photos, films, audio and video records capture memories, creative expressions and vital scientific data. “Wherever the collections of these records exist, they are being used to create jobs, feed research and provide multidimensional narratives of our past and present,” says Dr Stefano De Caro, ICCROM’s Director-General.
To discuss these topics, the 2017 SOIMA International Course on Sustaining Sound and Image Collections has brought together 17 participants from 12 countries at the Institute of African Studies and the J.H. Kwabena Nketia Archives at the University of Ghana in Accra, Ghana. The shared objective is to exchange knowledge on sustaining sound and image heritage, which is threatened by constantly changing technologies and the lack of cohesive institutional policies.
This course, which runs from 9 to 23 July 2017, was conceived by ICCROM in collaboration with the Institute of African Studies and with the cooperation of Netherlands Institute for Sound and Vision, Ghana’s National Film and Television Institute (NAFTI), the International Council on Archives (ICA), and the International Association of Sound and Audiovisual Archives (IASA).
During the two-week intensive course, participants have engaged in activities ranging from group discussions, hands-on activities and structured learning exercises. The shared topics include defining what audiovisual heritage is, why should we preserve it, and how can we use it for creative purposes. This learning opportunity focuses on a case study at the J.H. Kwamena Nketia Archive, which was founded to study the vibrant oral heritage of Ghana. This archive is led by a former SOIMA participant, Judith Opoku-Boateng, who is now sharing the fruits of her labor with other participants. Continue reading…