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Head of Conservation

The Conservation Department, established in 1964, plays a fundamental role in the physical care and stewardship of the National Gallery of Ireland’s collection. Its work ensures that artworks are preserved to the highest international standards, made accessible to scholars and the public, and...

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Papel japonés pre-engomado en la restauración de documentos

El uso de papeles japoneses pre-engomados con diversos adhesivos para ser posteriormente rehumectados o activados, se ha empleado en la restauración de papel al menos desde la década de los 90 del siglo XX, especialmente en documentos con soportes o medios sensibles al agua. En esta sesión se...

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Multiband Imaging Techniques with Silicon-Based Sensors / Técnicas de imagen multibandacon sensores al silicio

Volume 4 of the Conservation 360º series, dedicated to Multiband Imaging Techniques with Silicon-Based Sensors, edited by E. Keats Webb (Smithsonian Institution) , Miguel A. Herrero (Universitat Politècnica de València), and Marcello Picollo (Istituto di Fisica Applicata Nello Carrara-Centro...

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Conservation of Glass Objects (five day course)

Dates: Monday 2 - Friday 6 November 2026 Tutors: Astrid R. van Giffen & Stephen Koob Price: £575.00 Places available: 10 Please contact us by email if you would like to register: info@academicprojects.co.uk This practical course, to be held at The Corning Museum of Glass, NY, USA covers the...

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Pigment identification – SEM-EDX, XRF & Raman microscopy

This virtual seminar (the last in a series* of 4 virtual seminars on the History and Identification of Pigments to be offered in October) introduces three of the main instrumental non-destructive techniques routinely used to identify pigments on works of art – scanning electron microscopy energy...

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Pigment identification – visual examination and polarised light microscopy

This virtual seminar (the third in a series* of 4 virtual seminars on the History and Identification of Pigments to be offered in October) on Zoom introduces the techniques involved in identifying pigments visually with the aid of a polarising light microscope. The different optical properties of...

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History of Pigments (from the 18th century to the present day)

This virtual seminar (the second in a series* of 4 virtual seminars on the History and Identification of Pigments to be offered in October) discusses the pigments used in painting from the early 18th century onwards, introducing their chemistries, production methods and dates of use. The palettes...

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Save the Date: IRUG16 Conference & Workshop

The Infrared and Raman Users Group is pleased to announce its 16th International Conference (IRUG16), set for  October 6–9, 2026. This signature event is being organized and hosted by Winterthur Museum, Garden & Library, Winterthur, Delaware, USA. Submissions for papers and posters are invited on...

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PEACE – ProtEcting Art in situations of armed Conflict and Emergency

I’m pleased to share with you an exciting training opportunity connected to our project "Defending Art: Italy and the International Security of Cultural Heritage" funded by Italy's Ministry of University and Research. We have launched the first edition of a seasonal school on cultural heritage...

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IC 31st Congress Ghent 2026 - Call for Paper and Poster Proposals

Ensembles: Conserving Interconnected Artworks, Artefacts and Collections The International Institute for Conservation of Historic and Artistic Works (IIC) is thrilled to invite proposals for the 31st biennial IIC Congress 2026, 8-11 September 2026, set to take place both in-person and online from...