I recently graduated from the University of Antwerp as a painting conservator. For my master's thesis, I researched a painting by Paul Delvaux, a Belgian modernist. One of the aims was to investigate the locally applied oil/varnish layers and their function. For further research purposes, I wonder how widespread the use of local oil/varnish layers in (modern) paintings is. Therefore, I created a short survey. I'd like to invite painting conservators, heritage scientists and anyone who encountered this phenomenon before, to fill it out. I greatly appreciate all your time and effort!
Thanks in advance and best wishes!
Eveline
Eveline Vandeputte
Paintings conservator
Belgium
eveline.vandeputte@gmail.com
The ICCROM Classifieds are a service to the professional institutions of our Member States. The Classifieds list announcements on conservation-related topics and events from around the world. They are made available to ICCROM's public solely for informational purposes. Posting of items in the Classifieds does not imply endorsement by ICCROM.
ICCROM reserves the right to moderate content posted to the Classifieds and may remove or edit any Content for any or no reason, including, but not limited to, that which is deemed out of scope or inconsistent with ICCROM's intergovernmental status.