International Centre for the Study of the Preservation and Restoration of Cultural Property 
On 25 March 2025, ICCROM's Director-General, Aruna Francesca Maria Gujral, had the pleasure of signing an agreement to receive a generous donation to the ICCROM Archives — an invaluable photographic collection by Tito Spini and Giovanna Antongini.
This image shows an ICCROM course participant using a light meter to measure light intensity on a mask displayed at the "Luigi Pigorini" National Museum of Prehistory and Ethnography in Rome. The photo was taken in 1975 during the ICCROM International Course on Security, Climate Control, and Lighting in Museums (SEC Course).
This image captures ICCROM course participants at a site visit in Rome in 1976, during the third edition of the International Course on Scientific Principles of Conservation (SPC), organized by ICCROM and held in Rome.
This image by Laura Sbordoni Mora depicts course participants during the preparation of wall paintings at ICCROM premises in 1972.
The drawing was elaborated by participants of the 1971 Architectural Conservation Course, organized by ICCROM in co-operation with the Scuola di Perfezionamento in Restauro, University of Rome, La Sapienza.
We are pleased to announce the launch of the ICCROM Register of Heritage Samples Archives!
As part of the ICCROM Digital Transformation Initiative, this platform opens doors to over 1,000 samples of wall paintings from heritage sites and monuments in more than 30 countries.
In Central Türkiye's Cappadocia region lies a complex of tucked-away cave churches carved from volcanic rock in the Göreme Valley. The most famous is the 10th-century Buckle Church (Tokali Kilise), revered for its illustrious Byzantine mural paintings.
This is a photograph of the upper part of the mihrab of the Great Mosque of Kairouan, a World Heritage site since 1988. It is a close-up of the half-dome, which is made of curved wood covered with thick plaster and painted with a complex vegetal motif - a common theme in Islamic art and architecture. The image was taken in 1973 by Franco Rigamonti and is part of a series of photographs documenting the restoration work carried out on the mihrab in...
In this photo from 1968, you see Laura Mora, a famed painting and mural painting conservator, in front of Stela 1, a Mesoamerican carved monument (stela), in Bonampak, Mexico. This relief area depicts an earth monster holding up the ruler Chaan Muan II, whose feet are visible at the top. The entire Stela is one of the tallest of the Mayan period at 20 feet (6.1 metres).